Gigs We Have Loved
Wednesday, July 09, 2008
Sometimes certain topics keep coming up, no matter who you speak to: A meme in the true cultural influence sense, if you will. One recurrent theme of late has been the passion experienced when seeing bands live, quite possibly prompted by festival season being in full swing. In the interests of adding to the thousands of trivial lists out there in cyberspace, here's twelve of my all-time favourite gigs in no particular order:
The Flaming Lips, Empress Ballroom, Blackpool November 2006
Oklahoma's finest are the best party band in the world. Fact. Not only that, but Wayne Coyne is the perfect ringmaster to the most entertaining psychedelic shindig you'll ever have the chance of enjoying, so I heartily recommend them to anyone. Even if you've never heard them before, you'll love them like blood brothers by the end of the night. On the cold, windy night we saw them in Blackpool, they were fascinated by the bleakness of such a dreary off-season resort which also just happened to possess the world's largest mirrorball. Very typical of them to appreciate such a juxtaposition.
The Cure, "Kiss Me, Kiss Me, Kiss Me" tour, Birmingham NEC Dec 1987
My first big gig as a student. It was difficult to see friends and other members of the audience as so many wore regulation black that night! Robert Smith was still at the height of his highly-animated pomp and the band delivered a set worthy of Goth 1.0 Heaven. Just Like Heaven in fact...
Del Amitri at Edwards No 8, Birmingham 1988
Memorable as one of the smallest, most intimate gigs I'd ever been to. Del Amitri's first album was only just out, so the glorified pub that was Edwards bagged itself an early booking coup. Beloved mates and fellow music-obsessives Sarah & Arlene came along, so we perched at the very front like expectant little songbirds. I don't care what you say about Scottish folk rock, Justin Currie has a great voice and is particularly easy on the eye especially when he's singing right at you.
Moby, 'Hotel' tour, Hard Rock Hotel, Las Vegas, 2005
You know those advertised arena concert trips to Europe which cost a fortune? While there's no doubt many devoted fans will go anywhere for their favourite artists, I've never been on any of those. They seem so... hardcore and extravagant, I suppose. On the flip side, when Mr W was organising our wild week's holiday to the city of Lost Wages a few years ago, he'd spotted two gigs there within the same week. Moby was one of those.
The Hard Rock Hotel is a very cool place to go, as it's reputedly a bona fide hangout for celebs. The downside to this is that being the 'States, we wouldn't necessarily have recognised any home-grown rising stars even if they were in that night. Why am I telling you this? Well, bearing in mind I was doing as much of a killah rock-chick impression as my wardrobe and baggage allowance would permit, I got my picture taken by some woman while washing my hands in the Ladies' lav. Totally dumbstruck with surprise, I walked out puzzled and dazed before I even thought to ask who she thought I was. To this day, I still have no idea who may have a vague, unfortunate resemblance to my pasty Northern fizzog.
Anyway, Moby performed a stunning set, with so many hits and underground anthems accented by an excellent light show. The venue isn't huge - maybe a bit smaller than Manchester Apollo - and despite other's criticism of Moby's music being 'sterile' it was full to bursting with an unmistakably energetic atmosphere.
Prince "LoveSexy" tour 1989
Unlike Bill Oddie, I'm only a casual fan of Symbol, or the Artist, or whatever he's calling himself these days. Nevertheless, when the leg-end announced a date in Brum, I was there. As you can imagine, Prince's show is very much about the spectacle, the experience. For instance, rather than being focused at the front, the circular stage was right in the middle, very much an 'in-the-round' type of setup. At the start of the fun, The Tiny One descended from the rafters and emerged out of a classic white limo. Understated, eh? His female entourage sans Sheena Easton was in attendance too, with lots of startling costume changes while he pranced about to the delight of the audience, me included. #Gonna party like it's 1989...#
10,000 Maniacs, Birmingham Uni Student Union Bar 1987
Again, the magic of a tiny gig where you're so up-close and personal you can almost see the artist's epiglottis can't be beat. This was a night dominated by the ethereal beauty of Natalie Merchant's voice. Memory fails slightly, but it must have been to promote 'In My Tribe' which stands up well after all these years. That night, there were many girls in long skirts and lads in long coats swaying along in appreciation, albeit slightly drunkenly.
Keane 'Hopes and Fears' tour, House of Blues, Mandalay Bay, Las Vegas, 2005
The second of the US holiday gigs. On the night we saw them, it was Keane's second or third ever American date and were still somewhat anxious to please the transatlantic punters. That 'Break America!' challenge was still very much ahead of them, at some earlier point before America nearly broke the band. God knows what the first dates were like, but their night at the House of Blues was genuinely a triumph, thanks in part to the hordes of fellow British holidaymakers who'd also scored tickets. We'd only got balcony seats, which didn't matter as the venue was again on the small side and the whole of our tier seemed to be loud 'n' proud word-perfect all the way through. Union Jacks and Saltaires aloft, Tom Chaplain exclaimed at one point during Everybody's Changing, "I can't f****ng hear myself sing over you lot".
REM 'Green' tour, 1988
An indie version of the Stones, REM are something of a rock institution and despite disappointing later albums, they do a fantastic live show. That said about the later dross, 'Accelerate' is pretty good, but it hasn't tempted me to see them this year only because it's a similar set up to the last time we saw them in 2005. The 'Monster' tour in 1995-6 was worth the trip too.
1988's Green tour was the first time they made it to these shores, and in retrospect they were probably at their height of their creative drive before Warner got their hooks in. Every time I see a stacking metal chair, I get an image of Michael Stipe hitting it with a stick... Disturbing memories aside, they're not in the Rock & Roll Hall of Fame for nowt.
Yazoo at the Palace Theatre, Manchester 1982
Included purely for nostalgic reasons as it was my first ever concert. I was a sweet and tender hooligan of 14 years old and with a longish, late journey back my Mam insisted on going as well, so it wasn't quite as rock 'n' roll - or synth pop 'n' crackle? - as I would have liked. Still, the incredible thrill of being a gig-virgin no more worked its magic for months. Funny enough, Alison Moyet & Vince Clarke have not long been on tour together again, their first time in over 25 years.
Elbow, 'The Seldom Seen Kid' tour, Delamere Forest June 2008
OK, I've only just posted about this here, but it deserves a place after too many missed opportunities to see this until recently much-underrated band. Way back, Mr W bought the first release of 'Asleep in the Back', even before the title track was on it - no idea, don't ask - so I've been happily indoctrinated by his good taste ever since. Take it as read I love their snapshots of life set to the most moving music, but they all seem like such great blokes to boot, the sort who would actually have a crack with you in the pub should you ever stumble upon their watering hole of choice. Gentleman Guy Garvey especially. For any eclectic music fans reading this, his Radio 6 show is essential listening.
Peter Gabriel, "So" tour, Birmingham NEC 1986
This was just on the cusp of 'Big Time' (!) commercial success in his own right, after a high profile career in Genesis and subsequent but niche solo acclaim. Gabriel is pretty unique as a live artist, and has always been an innovator. His superb voice makes numbers like 'San Jacinto' and 'Here Come The Flood' even more moving live than on record. However, a bit like the rest of Genesis, it's well documented that he can't dance. God bless you mate.
Last but not least...
Amnesty Festival, Milton Keynes Bowl June 1988
My first festival, with The Stranglers, Joe Strummer, The Damned, Michelle Shocked, Big Audio Dynamite, Aztec Camera, Aswad and Billy Bragg (I think) amongst others. You can't beat a good festival, especially when it's in a good cause, a dry field and not too vast. One other memorable part about this weekend was, on arrival at the railway station Sarah and I got lost in the faceless suburban landscape that is Milton Keynes. I've no idea if it still is a bit spooky like that, but after an inordinately long time spent wandering carbon-copy streets, we had to get a taxi to rescue us. Luckily, the music healed any traces of trauma ; )















